Back again… and some things from my garden…

…solanum dulcamara next to our front door…

The blog was very quiet in the last months- i didn’t had enough time to care for my german blogs AND this english blog, too. So i decided to end my blog about the Goddess Hekate. The Hekate blog will stay as a information place about the Goddess but all my new articles will be published on my german witchcraft blog. And threw this i will have more time to care for this blog, too.

In the last weeks i was very busy in my garden. I have planted seeds from moonflowers and other plants that open their blossoms in the night, i have brought out the herbs that stayed inside of my home during the winter months and planted new plants into my garden.

The bitter sweet nightshades (solanum dulcamara) that i had grown from seeds last year, have all survived the winter and now i have plenty of big nightshade plants in my garden. One nighshade plant grows before my frontdoor and looks now like a small bush and not like a herb that climbs normaly.

My mandragora roots got new earth into their pots, i have planted foxglove into my herbal garden, seeds of datura that i have harvested last year and i have orderd a belladonna plant that will get yellow fruits. i have also orderd different kinds of jasmine plants, clary sage and elder with black leaves. my angels trumpet gets the first leaves now and in my herbal garden the different mints have grown big again, and the lemon balm, catnip, wolfsbane and other herbs, too.

But many of my herbs didn’t survived the winter- all my lemon geraniums died, my lemon eucalyptus died, my and the lemon verbena, too.

My patchouli plants got ill in the last weeks but now they are reovering since they are outside, again.

I have made the first rites in my garden, but the nights are still cold and often wet. All around me the lilac is blooming and on my Hekate shrine i have lots of lilac flowers as offering to the Goddess.

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The Stang

The witches in folklore and on old woodcuts did not only rid on the broom, when they flow through the night. But also on the stang.

The stang is a pole of wood with an crotch on top of it. It looks like a pitchfork. Some believe this stangs were distaffs, other thinks they were stove forks.

But the stang is not so strongly connected with our modern archetype of the witch, here the broom is on top. But in the old days, the stang was seen as a witchcraft tool.

What the broom is for me in my home and garden, the stang is for me when i am out and about.

And many traditional witches today, have reclaimed the stang for their witchcraft as a working tool.

You can find much informations about the stang and the symbolism of it online, because many traditions and solitary witches are using it in their workings today again. Here i will write about my own symbolism.

For me the stang is a very similar to the broom, like the broom the stang is a all-round working tool. Everything i wrote about the broom, fits also for the stang.

I have two stangs, one that i use as a walking stick, the other is a kind of ward in my ritual room and stands next to the protective broom on my hearth shrine.

I use the broom in my rites and workings that i make in my home or my garden. When i go out into the fields and forests, i take with me my stang. I use it as as walking stick. When i am walking through the land I do store the life energy in it and i use it for rites and workings in the woods and fields, in the same way I use the broom in my home.

For me it is not only a symbol of the world tree, but a symbol for the crossroads, the meeting place of the witches, the threshold between the worlds and the sacred threeway of the Goddess Hekate (and on the magical table of Pergamom- a Y shaped rune was used as special symbol for Hekate- it looked like the stang). And at the same time the stang is for me a symbol for the Horned Lord of the sabbath, the two ends of the stang are symbols for his horns. And if you put a lantern or a candle between the two ends, it gets a symbol for the fire of the God.

The broom and the stang are for me symols of the axis mundi, the world tree that connects all worlds with each other (material world, etheric world and empyrean world). Hekates sacred oak tree, entwined with her snakes, the twigs in the heaven and the roots deep in the underworld.

The Cauldron And The Hearth

When people think about witches there is one popular tool before all other tools and symbols: The cauldron. The image of three witches, crowded around a big cauldron, laughing and stirring their green potion full of unspeakable things.

But what is the truths behind this image?

Cauldrons were once everyday tools. No home was without a cauldron. In the cauldron the meals were cooked on the hearth fire, or outside on bonfires. In cauldrons the brews from healing herbs were made, the only medicine over thousands of years. In cauldrons the water was cooked for drinking or for hygiene. The cauldron is strongly connected to the hearth.

The hearth was once the central point in every home, the focus (this latin word just means hearth) for the family and community, they gathered around the hearth.

And on the hearth the spirits of the ancestors were honored, the gods were invoked, the people prayed near the hearth and worked spells on the hearth fire. Goddesses like Hestia, Vesta and Hekate are strongly connected to the hearth and the household cults of ancient Greece and Rome.

The cauldron is symbolising all this- the sacredness of the hearth fire and for many witches who don’t have a hearth- the cauldron is a symbol to represent the hearth.

But the cauldron does not only symbolise the hearth, it is also a symbol of transformation. It is strongly connected to the archetypical witch. Even Medea in ancient Greek myths worked her witchcraft with a bronze cauldron. And the use of bronze cauldrons is very old. Many people think about cast iron cauldrons, when it is about witches. But in reality the bronze cauldrons were strongly connected to them. Bronze was a sacred metal of the Goddess Hekate and in the Greek myths about witches, bronze was a special metal in witchcraft. The greek witches used bronze knives, bronze sandals and bronze cauldrons in their rites. And bronze cauldrons were used until the late middle ages, then the cast iron cauldron got popular.

In cauldrons witches brew their potions, in reality these were brews of herbs, for healing, to make aphrodisiacs and love philtres, brews for protection and to break curses, potions to curse or to cure.

The cauldron can be a very powerful tool in modern witchcraft. Only few modern witches have a hearth, the cauldron can be used as a symbol of the sacred hearth.

It can be used to make brews and potions, to mix herbal powders, to burn herbs as incense, as offering bowl for the spirits, or as an focus point for them. It can be used in divination, in spell work and to make ointments. It can also be used like the pentacle of ceremonial magic- to put things inside of the cauldron that should get filled with power, like mojo bags, talismans, amulets, bones and stones, ribbons and strings or just to contain sacred water.

I have several cauldrons that I use in my witchcraft. Two big bronze cauldrons, these are my working cauldrons for practical magic or devotional rites. Then I have a copper cauldron hanging in my hearth shrine, this cauldron is a focus point for my familiar spirits and the good spirits in my home. I burn incense in this cauldron, or fill it with water and herbs and lightning an ethanol fire under it, so that the water begins to boil. The smoke and steam are offerings for the spirits.

Then I have a small offering copper cauldron, I put food and drink offerings for the spirits and gods into this cauldron. And I have some very small copper cauldrons which I use for the burning of incense.

For me the cauldron is also a symbol of the Witch Queen- Hekate. For me the cauldron is a strong connection to her, and her aspects as a goddess of witchcraft. And the cauldron that hangs in my witchcraft-hearth shrine is a kind of representation of her. In my other hearth shrine (in the living room) I have a bronze cauldron in my hearth shrine- and a iron cauldron there, too. For me they represent the light- and dark aspects of Hekate.

The Tools And Symbols Of The Witch Archetype

Every child knows which tools witches are using.

Witches have brooms to fly in moonlit nights through the sky.

They have big cauldrons in wich they make potions from herbs.

They use flying ointment to leave the earth, through the chimney of the hearth.

They have black cats as pets, or toads. And the witches do wear the black pointy hats.

They have imps and familiar spirits that do their bidding.

They live outside of the village, in their scary houses, near dark woods filled with wonders and horrible creatures.

All these symbols are rooted in our modern witch archetype.

But many modern witches use the elemental weapons from ceremonial magic in their rites, the athame, chalice, pentacle and wand. Many think that the archetypical witch tools are just fantasy equipment. But if you look closer to this tools and symbols, they tell you stories of the past and of their way to use them as modern witchcraft tools.

I will look at these tools and symbols in the next days to tell you the stories behind them.

The cauldron and the hearth

The broom

The stang

Other tools Of the craft

The witches hat

The witches flight

Familiar spirits and witchcraft animals

The outcast witch

The witches woods

The Power Of The Witch Archetype

 Since the traditions of modern witchcraft came out of the broom closet, witchcraft has undergone a reinvention or a rebirth. Many modern witches shy away from the archetypical image of the witch, with her many symbols like broom, cauldron, pointy hat, black cat, toads and other nightly creatures, the famous familiar spirits, spells, hexes and curses, contact to the spirits of the dead, shape shifting into animals, the knowledge of herbs and poisons, the legendary flying ointment, meetings on crossroads and old cemeteries or the fly through the night on broomsticks or pitchforks.

Many modern witches claim that the stereotypical witch is only fantasy and that in truth witchcraft is and was different than this image.

Witchcraft evolved into a modern religion, which is a good thing. Modern witches gather on the seasonal festivals, celebrate the seasonal changes, belief in and honor the Great Goddess and the Horned God and some of these witches work positive magic- without harming or manipulating other people.

They use the the symbols of the ceremonial magic in their rites: the athame, the chalice, the wand and the pentacle. And their rituals are also influenced by the ceremonial magic in their structure.

But at the same time modern witchcraft has lost (for me personal) much of its  mystical side, a lot of the magic and its power.

The spells of many modern witches seem (to me personal) more like positive thinking with the help of some material supplies (like candles and herbs) and positive affirmations. And many modern witches don’t even belief in real magic, for them the magic, the rites and the spells are something psychological, through which them they are talking to their unconsciousness, through their spells they can work changes with their unconsciousness. This kind of magic is more a type of placebo effect sometimes.

But in the archetype of the witch, with all its many symbols, there you can find much truths about witchcraft. Our modern archetype of the witch has changed and evolved over time, the archetype of the evil witch is changing into something more positive and more ambivalent. For centuries the archetype of the witch was only seen as evil. Now in many movies, books and fantasy the witches can be supportive and good. They can be a guides for heroes, a helper in need AND someone who can also act against their enemies. And this ambivalent image of the witch is the original one. Even the most ancient witches of our culture Medea and Circe, could be helpers of the heroes, could heal and bless. But at the same time they could get a nightmare if you tried to work against them.

But you don’t have to look back into the shadows of the centuries- if you want to come into contact with the power behind the witch archetype. Our MODERN archetype is filled with many things, that can work if you use them. And when you use them- you will tap into a pattern. The broom can be a working tool in many witcheries, the cauldron can be used to empower herbal mixtures, amulets and to make potions. Even the pointy hat- that is so strongly connected to our modern archetypical witch, can be a powerful tool in your witchcraft. If you work with the symbols that are connected to the archetypical witch- you can draw power from this archetype in your rites and spells. But at the same time in our MODERN witch aretype lies the seeds of old witchcraft- there they were able to survive hidden and open to see at the same time. The symbols of the archetypical witch are telling us stories of the past, of the old witches in the villages not so long ago…

In the old times there were no books about witchcraft (exept some grimoires) and people who were drawn to witchcraft, could not learn it from books, like it is today. When people were interested in witchcraft they had to use the information they got from folklore about witches. Maybe they tried out things they heard in stories- what witches do. Stories about people that went into the night, in search for forbidden knowledge and power, about people that went out of the village, to secret places, to meet with the spirits of old and when they came back, they were changed, they got witches. And then when the inner draw of these people who wanted to be witches, was strong enough, they overcame their fear and went into the night themselves. To the old crossroads, gallows hills, burial mounds, or into the dark woods, where the veils between the human world and the other side were (and still are) more thin. If they had enough talent, will or luck, they would be able to meet a spirit and through the contact to this spirit (wich got their familiar spirit) they would learn witchcraft from this spirit- or the spirit helped to awake the witch-fire inside of them, this witch-fire lay dormant in them, sleeping in their blood, all the time and this fire drew them to their journey. And through this inner fire and the contact to the spirit(s) they got witches.

I think it is time that the modern witches reclaim the power of the old witch, the ability to make contact to familiar spirits, the dead and the spirits that surrounds us, the power to leave the body and fly through the night or to shape shift (in trance) into animals, the power to bless and to curse threw spells that make real changes- not just placebo effects. To find again the knowledge of the herbs. It is time to meet again on the old crossroads and dance with the spirits, to dig graveyard dirt on nightly cemeteries, to contact the underworld/otherworld, celebrate rites in moonlit clearings of the dark woods, with pointy hats, brooms and cauldrons that boil over a fire, or to work spells on the hearth of our home. And to meet with the Witchqueen on her crossroads in the time of the dark moons. It is time to awaken the witch-fire again…

The Archetypical Witch

The light of the full moon is illuminating the night. The moonbeams are enchanting a clearing in a dark wood. On this clearing a bonfire is burning. Over the flames of the fire, there hangs a boiling bronze cauldron. The solitary scream of an owl is cutting through the silence of the night.

On the clearing a woman is standing, clad in dark clothes, black  like the midnight in a moonless night.

In her hands she holds an old broom made from brush. On her head she has a black pointy hat, with a big brim that casts shadows over her face. You can not see her age. When someone is able to see beyond the shadows, that are veiling her face, for some she appears as ugly old hag. For some as the wise old woman, with a cunning smile and warm eyes. To some maybe even as a young, beautiful and seductive sorceress. But in reality she is ageless.

Near the feet of this strange woman three fat toads are sitting and it seems that they are watching the fire. And near this woman you can see a strange shadow, moving in the darkness. The eyes of this shadowy creature are glowing in the dark, they reflect the glow of the fire. You can see that this shadow is not a demon, but a black cat. Bats are flying around the fire and are hunting for insects, that were summoned by the light of the fire. The shapes of spirits appear for a second in the flames and in the smoke of the fire, it is like they are ensouling the fire and the smoke. But in the next moment they are gone.

The boiling in the cauldron gets louder and the witch is using the handle of her broom like a spoon, to stir her potion.

A loud laughing is haunting through the night, some crows are scared out of their resting places in the trees and are flying away from the fire. The cat makes an arching and is hissing but the witch didn’t stop to laugh. Her laughing can be heard all around the countryside.

She is the Archetypical Witch.

She is feared by many people, others are searching for her knowledge and her power, some are going to her when they need her help. Maybe to get a spell that hinders an unfaithful man from straying, or to banish an evil spirit, or to bring the luck back into a home, or to help a loved one to get healed in times of illness or maybe to curse an enemy.

When it is about these things, the people forget their fear- or overcome them and go to her.

And also when it is about the thresholds in life. At birth she is the midwife, she is guiding the elderly on their last journey while they are dying and after death she is the one that buries the corpse, she opens the doors to the light of the otherworld- if spirits lost their way after death.

In all these times the blessing of the Archetypical Witch is needed.

But many are fearing her dark side, she is the nightmare of all those people who do evil.

They are scared by her power, they are frightened that maybe she will curse them, for the evil things that they have done. And because of this fear, they are hunting her, try to control her or maybe take away her power. But the Archetypical Witch is cunning, even when her enemies are thinking that she is crazy, when they project their own shadows on her- all their fears and their own wickedness. They try to make the people believe- that she is evil and wicked- so that she gets feared also by other people.

The Archetypical witch was has never dissapeard, she was never truly beaten, nobody was able to break her. She was always there, lingering in the shadows, on the liminal places, on the crossroads, near hollow hills or gallow hill, on old cemetries and on the clearings of the dark woods, she was always was there beneath the things, in the edges and fringes and all the thresholds. She was hidden in the shadows, but always on the pulse of the things that happened.

She was waiting there, waiting that the times will change again. That the people will see more than the evil old hag in her, that the people will search again for her power and her many blessings.

She is standing on the clearing of her dark woods, in the shadows at midnight under the light of the full moon. And she looks into her potion, that is boiling in her cauldron, there she sees what once was, what is happening in the now ans what maybe will be come into being…. and the spirits talk to her through the shadows, whispering the secrets into her ears, she knows the ancient Queen of Crossroads- the Mistress Witchcraft. And she knows the Black Man of the Sabbath, the Horned Lord and Cunning Master. Through her they stayed alive too- and the Archetypical Witch brought their power and blessings into the world until this day…

The Call Of The Witches

Midnight, darkness, fog, dawn,

thresholds between the seasons,

the time of the dark moon,

crossroads, cemetries, clearings in the woood,

all of these are thresholds between worlds

and times out off time…

We roam threw the night,

hearing the call of the Dark Mother,

in nights like this one, we follow this call.

On times between the the time, embraced by

the dark mantle of our Goddess, embraced by

her protective veil.

embraced by her love and power.

She is our nightly mistress,

the witches queen, weaver and spinner of all change

mother and grave of all beings,

dark and mysterious, beautiful and sometimes

frightening, too.

With her horde she is flying threw the night,

together with the spirits, the dead, the unborn and with us,

her witches.

Norcturnia is calling us, is drawing us to her,

filling and quickening our souls with her spirit.

In trance and ecstasy we follow her,

leaving our bodys, flying into the air.

Some of us in the shape of animals, some riding on

brooms and stangs and some naked in free flight.

We are flying threw the night, the horde of the Goddess,

we are blessing and cursing in her name.

We also hear the call of the Horned Master,

the beat of his cloven hooves, thunder, the screams and

the roar of wild animals,

the heartbeat of nature, the call of the sabbath,

the light between his horns is lightning our way,

the way to him, into his realm,

through dance, sex, ecstasy, music,

we come to him. Because he is the lord of passion,

the lord of joy, the lord of the sabbath, lord of

all that is wild and free.

His light is filling us out, liberating us, blessing us

and when he arrives at the sabbath,

halve man- halve goat,

crowned with leaves and twigs,

dancing or throned, whe honor him.

Sabazios- and he honors us.

To them we dedicate our rites,

from them we get our power,

through them we learn sorcery,

through them we can go through the

thresholds, crossing the hedge and through

them we get our Familiar Spirits.

In the shapes of cats, toads, owls and other

creatures of the night, or in strange appearance,

these spirits will protect us, guide and help us and

they are messengers for Nocturnia and Sabazios.

In their names we dance and sing,

we do bless, heal and curse,

in their names we meet in times out off time, on places

that are no places.

To them we dedicate our work

– Witches